Wednesday, 25 August 2021

Saturday, 21 August 2021

Issue 78 on its way to members

The Summer 2021 issue of the BBFC Magazine (Issue 78) is in the post!

Summer's nearly over but the fun continues and we are sure you'll find lots of interesting reading in this fab issue.

Have any Beatles fans in your family? Remember that membership in the British Beatles Fan Club makes a wonderful gift that keeps on giving all year long with four quarterly issues of the magazine included in membership. Click here for membership details.

Non-members can order a copy of the magazine from our website here.

The new issue includes:

  • The Beatles A Day In The Life
  • Coming Up
  • Media Watch
  • All Things Must Pass - George’s Classic
  • There Are Places I Remember
  • The Beatles and their Apple artists
  • Solo Beatles Number One Singles - Part 2
  • Try Some, Buy Some-New Releases
  • Paperback Writers
  • McCartney 3,2,1 - Review
  • Meet the Bootleg Beatles - Part 2
  • The Beatles Lost TV & Radio Shows
  • Offers and Discounts
  • As I Write This Letter
  • Crap Photo of the Month

Sunday, 15 August 2021

Orchard Photo Exhibition with chance to win a Beatles photo in a raffle


The two day show, which takes place on 28th and 29th August 2021 will have pictures of The Beatles, David Bowie, Lulu, Michael Jackson and also Marc Bolan’s last picture shoot just two weeks before his untimely death in 1977, plus many more, some of which have never been seen before. 

All pictures are available for sale, plus there will be a Beatles photograph that will be raffled, and one lucky winner could win it for just £1.


Monday, 2 August 2021

Something About George – The George Harrison Story




Liverpool Theatre Festival will premiere production 

Something About George – The George Harrison Story 




A new music show highlighting the incredible talent of the late Beatle George Harrison will be premiered at Liverpool Theatre Festival this September. 


Something About George – The George Harrison Story pays tribute to one of music’s most understated icons, who is often referred to as the “quiet Beatle”. 


Liverpool Theatre Festival runs between Wednesday 1 September and Sunday 12 September 2021, and once again takes place at St Luke’s Bombed Out Church in Liverpool city centre. 


Something About George – The George Harrison Story will close the festival on Sunday 12 September, with performances at 5pm and 8pm. Running time is 75 minutes no interval, tickets are on sale now. 


They say All Things Must Pass. However, George Harrison’s name forever lives on. So, where does life take you after being in the greatest band in the history of the world? This new show answers that question. 


Featuring beautiful songs like My Sweet Lord, Something, and Handle With Care, the show also includes Harrison’s incredible solo material and music from rock ‘n’ roll’s greatest supergroup, The Traveling Wilburys which was made up of Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty. And any show celebrating one of the Fab Four just has to include a few classics from The Beatles. From heartbreak to hedonism and songwriting to success, Something About George will showcase a life that was anything but quiet. 


This remarkable tale comes from the creators of the critically acclaimed production Something About Simon – The Paul Simon Story, which wowed audiences and critics when it was premiered at Liverpool’s Epstein Theatre in 2018. The show went on to triumph at the Edinburgh Fringe 2019, where it was chosen for a residency at the Fringe Encore Series at the SoHo Playhouse in New York City, where it played six sell-out performances. The show was also part of the programme at the inaugural Liverpool Theatre Festival last September. 


The show stars Liverpool-born West End performer and musician Daniel Taylor telling the story of George Harrison, he will be joined on stage by keyboard player Ben Gladwin and Jon Fellowes on lead guitar. 


Daniel is an award-winning actor, producer, and director. He trained at Webber Douglas Academy Of Dramatic Art in London. He has also produced, directed, and performed as Bottom in A Midsummer Night’s Dream and Tybalt in Romeo And Juliet (both for the Epstein Theatre, Liverpool). 


Daniel has previously played John Lennon in the award-winning Lennon Through A Glass Onion; Sammy in Blood Brothers; and last year performed at the very first Liverpool Theatre Festival in his show, The Very Best Of Tommy Cooper. Daniel is now working on Sonny Days, an album of original songs due out later this year. The album is a follow-up to The Party Is Over album which was released last year. 


Daniel Taylor commented: “I’m thrilled being able to tell George Harrison’s story, especially his journey after those heady days in the Fab Four. For me, The Beatles are the greatest band that ever lived. After all his achievements, George is still one of the most underrated songwriters that has ever lived. 


“As someone who writes and performs their own songs, and I have done since I was just 12-years-old – and it’s all because of the inspiration of songs like Something, Here Comes The Sun, and While My Guitar Gentle Weeps. Working on the show, I have been astounded with George’s post Beatles journey and the life that followed, and the music he went on to create.” 


Something About George is written by Jon Fellowes, who co-produces show alongside Liverpool-born singer songwriter Gary Edward Jones and theatre producer Bill Elms, who is also Artistic Director of Liverpool Theatre Festival. Collectively, the trio are Something About Productions, the creative team behind the hugely successful Something About Simon – The Paul Simon Story. 


Something About George is not a tribute show as we know it. It is one musician authentically honouring the music of another, utilising all the tools at his disposal. Following the festival premiere, Something About George will be developed further into a full-scale show with plans to tour the UK. 


Co-producer Gary Edward Jones added: When we started Something About Productions, we decided we wanted our company to focus on genuinely authentic musicians who haven’t had their stories told in this way before. Therefore, a show about George Harrison seemed like a natural follow-up to Something About Simon. I’m very excited to transfer what I learned performing on-stage in The Paul Simon Story to producing this new show. 


“It’s almost 20 years since George Harrison passed away – but remarkable story and timeless music lives on. We feel honoured and privileged to shine the spotlight on the legacy he left behind. We are excited to share this journey with audiences and are sure they will leave the show knowing more about George and his incredible life.” 


Created by Liverpool theatre producer Bill Elms, Liverpool Theatre Festival was first staged in September 2020. Bill stepped in to bring entertainment back to audiences after theatres across the country were ordered to close their doors as part of the first Coronavirus lockdown in March 2020 – giving live performance and creatives a platform during the most challenging of times. The outdoor festival went on to be a huge success, scooping an award and shortlisted for further accolades, winning praise across the industry for once again giving live performance a platform during the most challenging of times. 


The festival has already been expanded for 2021 with the addition of Little LTF, a new strand and sister event to showcase new works and champion talent. Little LTF took place between 12 and 18 July and attracted more than 1,200 festivalgoers. 


Liverpool Theatre Festival 2021 is a 10-day festival featuring mainstream and established acts, artists, and productions. The festival will adhere to any Covid-19 and Government guidelines required at the time. 


Shows already announced are 2Gorgeous4U (Wednesday 1 September); The Last Five Years (Friday 3 September); Everybody’s Talking About Musicals (Saturday 4 September); Electric Dreams (Sunday 5 September); Opera Beneath The Stars (Thursday 9 September); Broken Biscuits (Friday 10 September); Laughterhouse Comedy (11 September); before Something About George – The George Harrison Story closes the festival. More shows will be announced this week. 


Liverpool Theatre Festival is funded by Liverpool City Council and Culture Liverpool, sponsored by Falconer Chester Hall, and supported by Liverpool Everyman & Playhouse Theatres and dBS Solutions.  


Visit for the latest news updates. 



Facebook:       /liverpooltheatrefestival 

Twitter:           @lpoolTFestival 

Instagram:      liverpooltheatrefestival 

Hashtag:         #TheatreIsBack 





DATE: Wednesday 1 September 2021 

TIMES: 5pm / 8pm 

PRICE: £22 

RUNNING TIME: 70 mins no interval 



DATE: Friday 3 September 2021 

TIMES: 5pm / 8pm 

PRICE: £22 

RUNNING TIME: 75 mins no interval 



DATE: Saturday 4 September 2021 

TIMES: 6pm / 8.30pm 

PRICE: £22 

RUNNING TIME: 75 mins no interval 



DATE: Sunday 5 September 2021 

TIMES: 4pm / 8pm 

PRICE: £20 (4pm) £22 (8pm)  

RUNNING TIME: 2 hours 10mins including interval 



DATE: Thursday 9 September 2021 

TIME: 7.30pm 

PRICE: £28 

RUNNING TIME: 2 hours including interval 



DATE: Friday 10 September 2021 

TIMES: 6pm / 8.30pm 

PRICE: £22 

RUNNING TIME: 60 mins no interval 



DATE: Saturday 11 September 2021 

TIMES: 6pm / 8.30pm (line-up varies slightly between shows) 

PRICE: £22 




DATE: Sunday 12 September 2021 

TIMES: 5pm / 8pm 

PRICE: £22 

RUNNING TIME: 75 mins no interval

Friday, 9 July 2021

Musicians Wanted - Casting Call - for a Film!

 This is a great opportunity for some talented guy!  Let them know you heard about this from the British Beatles Fan club if you go to try out.  And if you get the gig, let us know!

Monday, 21 June 2021

Cancelled - "DRIVE MY CAR" The Beatles Drive-In Film Festival Saturday 17th July

From the organisers... Sadly the Drive-In Beatles festival in Loxwood on July 17 has had to be cancelled. 
A really great shame but when we all looked through the continuing restrictions for the 17th of July and the fact that this was designed as a festival day it was felt that fans wouldn't get the free experience they deserved. 
Anyone who bought tickets will be fully refunded by the booking agency and the plan is to reschedule this event, all being well, next year at the same kind of time, obviously with a few additional updates. 
Once again apologies, it would have been a great event but until the country opens up somewhere near normal the guidelines are just too restrictive. No dancing, no singing etc is a bit stifling. Let's hope post July 19 things can get back to some kind of normal for us all! Thanks to the British Beatles Fan Club for all their efforts to help promote this and here's to the event returning safely in 2022. 


Saturday 17th July 15:00-23:00

Don't miss this event.  It promises to be loads of fun!  The event will be following current government guidelines and has been designated COVID Safe.

Click here to get your tickets and find out more about the location, films and other attractions.

Saturday, 12 June 2021



Prestigious Annual Contest Celebrates 25th Anniversary with Over $300,000 in Cash Awards and Prizes with Additional Prizes in Weekly Contests


New York, NY (June 9, 2021) – The John Lennon Songwriting Contest ( Session 1 deadline is fast approaching  -- June 15th!  The JLSC, celebrating its 25th year, will present over $300,000 in cash awards and prizes to contestants entering their original songs in 12 categories. Winners, including one Grand Prize Winner in each of 12 musical genre categories and 36 Finalists (3 in each category) will be announced September 1, 2021. Session 2 opens for submissions June 16.


The 2020.  “Song of the Year” winner will be announced July 6, 2021, with a cash prize of $20,000 in addition to the studio gear and instruments generously donated by the Contest’s sponsors.


Over the years, the Contest has identified such stars as Meghan Trainor, Gaby Moreno, Elise Goldsberry and others. 2021 judges include George Clinton, Bootsy Collins, Elle King, Prince Royce, Tim McGraw, Flea, Art Alexakis, and many more notable songwriters/artists.


The Contest is made possible with the support of Yoko Ono Lennon and sponsors including Apple, Gibson, Genelec, OWC, Neutrik, Audio-Technica, Casio, Universal Audio, Skoog, SSL, Reason Studios, and Notetracks.  Each year, there are 96 winners across 12 categories with 1 Song of the Year, 12 Lennon Awards, 24 Grand Prize winners, and 72 Finalists. Proceeds from the Contests help to support the non-profit John Lennon Educational Tour Bus studio ( which brings music education to schools and other venues nationwide.


In 2020, with the onset of the pandemic, the Contest launched weekly contests with Genelec monitors and Gibson guitars as some of the prizes. The weekly opportunities, which include entry into the annual contest, have resonated with songwriters around the world and will continue through 2021.


About the John Lennon Songwriting Contest:

The John Lennon Songwriting Contest, in its 25th year, is the premiere international songwriting contest. The Contest is open year-round to amateur and professional songwriters who submit entries in any one of 12 categories in two Sessions with 72 Finalists, 24 Grand Prize Winners, 12 Lennon Award Winners and 1 Song of the Year. Entry fees from the contest help support the non-profit John Lennon Educational Tour Bus mobile recording studio that brings music education to students of all ages nationwide. The JLSC is made possible by Yoko Ono Lennon, and sponsored by Apple, Gibson, Neutrik, OWC, Genelec, Casio, Audio-Technica, Universal Audio, K├Ânig & Meyer, SSL, Reason Studios, Mesa/Boogie, Skoog, Centralized, Notetracks,  Sonicbids, Guitar Player, Bass Player and Electronic Musician Magazine.


Thursday, 27 May 2021

Strawberry Field celebrates 50th anniversary of ‘Imagine’

John Lennon’s ‘Imagine’ piano is played by a student from Paul McCartney’s LIPA alongside the Liverpool Signing Choir and Julia Baird 

2021 marks 50 years since the writing, recording and release of John Lennon’s ‘Imagine’, perhaps the greatest peace anthem of the 20th century. Strawberry Field, the latest addition to Beatles tourism and now open to the public, have commenced celebrations by inviting a student from Paul McCartney’s Liverpool Institute for Performing Arts to play the very piano on which John Lennon composed and recorded ‘Imagine’. The Liverpool Signing Choir, joined by Julia Baird, John Lennon’s sister and Major Kathy Versfeld, Mission Director of Strawberry Field accompanied the piano, signing the words to the inspirational song.

‘Imagine’ recording began at John Lennon's home studio at Tittenhurst Park in Berkshire on 27th May 1971. Archive film footage from 1971 shows a relaxed John at the piano composing ‘Imagine' before he turns to his keyboard player to remark: That’s the one I like best.” The world-famous piano was toured by George Michael as a symbol of peace in the early 2000s and hasn’t been played in a performance since 2007. It is now on loan to the Strawberry Field exhibition, courtesy of the estate of the late George Michael.

Major Kathy Versfeld, Mission Director of Strawberry Field says:

  “In October 2020 as we welcomed the piano into its new home here, we saw the impact that this fabulous piano had, not just on visitors to our exhibition but even further afield, across the entire city of Liverpool. At a time when there was so much fear and uncertainty around Covid-19, it was a beacon of hope, light at a dark time. As the country emerges from another lockdown, I hope people will be inspired by this performance to reimagine a better world in the here and now, where we are not divided by what we believe, or how we look, or where we live. One people, one planet, all of God’s creatures working together out of mutual respect and compassion. We live in hope!”

Joe Worthington, a student from Liverpool Institute for Performing Arts (LIPA) was invited to play the piano for this momentous occasion. He says:

“Being a student in Liverpool and at LIPA, The Beatles, their music, influence and legacy is ingrained in me. Playing Imagine, such an anthem of peace, on the piano that John Lennon wrote and recorded it on was brilliant. When I was asked to do it, I did a double take, I couldn't process it. Still can't! To sit where he once sat is quite emotional. It feels like I’m touching a piece of history, it’s like I’m a part of it.”

Alongside Joe, The Liverpool Signing Choir were asked to sign the lyrics to the song. A unique, city wide and inclusively diverse choir based in Liverpool, they have performed at events across Europe, notably, performing John Lennon's ‘Imagine’ at the Closing Ceremony of the London 2012 Olympic Games. Catherine Hegarty, leader of The Liverpool Signing Choir says:

“The Liverpool Signing Choir were honoured to be asked to take part in the 50th anniversary of Imagine. Strawberry Field is working hard to open people’s eyes, share understanding and break down barriers.”

John Lennon's sister Julia Baird, who is Honorary President of Strawberry Field, was present with the choir and signed alongside them. She says:

“It was an honour and a privilege to sign this wonderful peace anthem with the Liverpool Signing Choir. We were accompanied by a LIPA musician, on John's iconic Imagine piano, inside the Exhibition at Strawberry Field. A five star treat all round.”

The piano was delivered to Strawberry Field on 9th October 2020 to mark what would have been John Lennon’s 80th birthday. It was always George’s intention that the iconic musical instrument should be enjoyed by the people of John’s home city. “It’s not the type of thing that should be in storage somewhere or being protected, it should be seen by people,” said George to journalists at time of purchase. The upright Steinway piano, purchased by the singer-songwriter in 2000, is now one of the most valuable musical instruments in rock ’n’ roll history.

The ‘Imagine’ piano is on display now in the Strawberry Field exhibition and you can book your tickets on their website:



Friday, 21 May 2021

Review - The Beatles Era by Peter Eijgenhuijsen


The Beatles Era

A Quest for the Secret of The Beatles

By Peter Eijgenhuijsen

Published January 2021

Price: UK £5.88 US $7.99 

ISBN-13: 979-8563229259 

This enjoyable book is not long, just 104 pages, but I found it an interesting read. Really, it is a collection of five essays about the Beatles broken down by five eras defined by the author.

The first, “Before the Beatles”, explores the forces that came together to create the magic that produced The Beatles and their success. Some of this has been written about before, but I found Peter’s take on it a bit broader than usual incorporating facts about the vinyl record production process, for example, and its impact on their rise to fame.
The second section, “The Beatles Years”, focuses on more subtle impact The Beatles had on the world. As the author states, in the first paragraph, there are many other books that will tell you the facts and timelines about The Beatles from their time in Germany to their breakup. In this section he explores impacts of their fame on other artists, album cover imagery, religion and more.

The next two sections cover the solo careers of the Beatles broken into “The Solo Years” and “The Reduced Solo Years.” In these chapters the author attempts to determine if The Beatles maintained the same level of creativity as solo artists or was the magic of the foursome more than the sum of the parts. It also touches on the fact that despite the fact that they broke up years ago, the have somehow become bigger rather than fade away.

The final section is titled “After the Beatles”, and interestingly states that the “after” has not yet begun. Interest in The Beatles is still huge and with Paul and Ringo still producing great music 5o years later, they are still huge. He wonders will the after period happen gradually as the remaining two Beatles age or will it begin suddenly where there are no more Beatles left to make new music?

I’ve deliberately not given away too much since the book is not long. This is a wonderful book to sit down with on a rainy day that will get you asking yourself questions. It would be a great book for a book club discussion as it poses great questions for debate, rather than just detailing timelines and documenting facts that we’ve all read before.

~ Michele Copp