Tuesday, 5 April 2016

Heritage plaque planned for Alistair Taylor

Stuart Allen, with The Runcorn and District Historical Society, has worked to create this blue heritage plaque for Alistair Taylor, who was born in Runcorn. Mr. Allen worked with George Gunby, who wrote Alistair's biography 'Hello Goodbye: The Story of Mr. Fixit', for the making of the plaque.
It will hang on their local theatre - The Brindley. 



Saturday, 2 April 2016

Tribute Band Spotlight - Glass Onion

This is the first in a series we hope will continue.  We are encouraging tribute bands to send their gigs to us to include on our What's On Calendar.  In exchange, we will introduce the bands to help them connect with their local fans.

Introducing Glass Onion 
Mark Bayliss of Glass Onion introduces the band
Our group formed at the end of  2014, so we don't have a website yet, but we have been overwhelmed by the support and interest that we have received since we started focusing exclusively on the music of the Beatles.
Individually, we were playing in different musical situations (each of us Beatle fans - but not playing the music we truly loved). But thanks to the wonders of the internet, there is a great UK website (joinmyband.co.uk) that enabled us to get together and we decided that we would play only Beatle songs locally and see what interest we got. Wow ! Unbelievable ! We got so much interest that we decided to put on some shows and they sold out with weeks to spare ! The audience participation and enthusiasm was incredible !
We are not attempting to be lookalikes, but rather believe that our passion for the music and evidence of our enjoyment when we play shines through to the audience who crave for more and more !
Currently, we have 3 shows planned in the immediate future:
20th April - Jardins, Braintree, Essex
23rd April - Village Hall, Burnham-on-Crouch, Essex
30th April - Memorial Hall Sawbridgeworth, Hertfordshire
We are currently planning to attend some music festivals this summer and also more shows in the Autumn.
Myself, I play bass and sing, with Martin Seaman on rhythm guitar and vocals, with David McLean on lead guitar and vocals, and Paul Davis on drums. Last year, Martin and I went to see Paul McCartney at the 02 in London and he was magnificent ! I think the one thing that stood out for me was the level of emotion displayed by the audience (of many ages) that prove that our love for him and the memory of the band go really deep within us and make us cry with tears of joy !
With such a catalogue of truly majestic songs, there are so many to choose from, but we try to cover a range of A and B sides as well as album tracks that showcase the writing talents of Lennon and McCartney and also (the hugely underrated talent in my opinion) Harrison. We also cover the full period as best we can from 1962 to 1970. Our show includes two 45 minute sets and also a midpoint sit-down acoustic session where we deliver some great tracks 'unplugged'. 
So what sets us apart from all of the other 'tributes' ? - well nothing really. I respect anybody that wants to play the Beatles, but our music contains all the heart and soul of true lifelong fans, with a desire to deliver a similar humour and stage craft that existed when the band were at their peak.
I have attached a poster for one of our next shows just to show you how we advertise.
We don't expect to be taking over the planet....but for each smiling face, tapping foot, and clapping hand that I see, make it all worthwhile it even if it is in a local village hall....
Long live the music of the Beatles, we will do our small part to keep it fresh in the minds of the old and hopefully introduce it to some of the young....

Thursday, 24 March 2016

Terrific Podcast about the Beatles with a mention of the BBFC

Last summer a group of fans including the team who run the fan club were going out for a Mad Day Out exploring Beatles locations.  Just days before our membership secretary had randomly met a man in Marylebone Station who had been asking questions about the Beatles' connection with the station.  She discovered this man, Christian Swain, was doing research of a podcast for The Rock and Roll Archeology Project and she invited him and his partner Amy to join us on our planned Mad Day Out.

They did join us and and late in the day they also interviewed us each about our personal discovery of the Beatles and the impact to our lives.

Fast forward 6 months and the excellent podcast is on the air and he has reached the Beatles in his timeline.

We highly recommend this podcast about the history of Rock and Roll and we are very proud that some of our comments from those interviews are included in episode 8 which was just released.

Visit their homepage to list to all the episodes.

Wednesday, 9 March 2016

Sir George Martin 1926-2016

Photo of George Martin autographed for our
Treasurer Ernie Sutton
Sir George Martin sadly passed away on March 8th 2016, and we at the British Beatles Fan Club would like to pay our own tribute to the man who gave us The Fab Four.


Indeed if anyone should be known as the Fifth Beatle it should be Sir George, who performed on many of their records and gave them the opportunity to experiment.
George was born on 3rd January 1926 in North London, and after gaining a scholarship at St Ignatius College the family moved to Kent when World War Two broke out. At Bromley Grammar School he heard the London Symphony Orchestra with Sir Adrian Boult and from that moment music was his life.After the war, he attended the Guildhall School of Music and eventually found himself as head of a little known EMI label called Parlophone.
Known more as a comedy label, Martin worked on songs such as “Nellie the Elephant”, “Right Said Fred” and “Goodness Gracious Me”, the latter recorded by Sophia Loren and Peter Sellers.
His classical skills weren’t forgotten either and one of his most famous productions was the theme to “633 Squadron”.
By the 1950’s he found himself working with The Goons and in 1962 auditioned an unknown band from Liverpool, who had been rejected by virtually everyone.  Whilst George admitted in interviews, the tape he heard (known as the Decca audition) wasn’t that great, but on meeting them he immediately liked them as people.
Famously during that first meeting he asked the band if there was anything they didn’t like. George Harrison cheekily said “Yeah I don’t like your tie”. This was a huge risk, but George Martin liked the humour and gave them a chance.
That band, The Beatles, would go on to make some of the greatest records of the 20th Century.
George was in demand and worked with Shirley Bassey, Matt Monro, Cilla Black, Gerry and the Pacemakers and Billy J Kramer, to name just a few.
His musical score for “A Hard Day’s Night” won an academy award, and he went on to score for the films “Help!” and “Yellow Submarine”.
He gave The Beatles new areas of music to work in, arranging the strings for “Yesterday” and introducing Paul to the piccolo during the recording of “Penny Lane”.
By 1967 The Beatles had stopped touring and George became even more important to their work in the studio. Whilst making “Strawberry Fields”, John Lennon wanted two takes combined, which were at different tempos and speeds. George Martin explained the predicament to Lennon who replied “I’m sure you can fix it”. He did and “Strawberry Fields” became one of The Beatles greatest songs.
His work on the “Sgt Pepper” album cannot be underestimated. Music was moving into a new direction and Martin was happy to help The Beatles develop new recording techniques which paved the way for later artists.
By 1970 The Beatles were breaking up, and their final album “let it be” would be credited to Phil Spector, much to Martin’s annoyance as he had produced the original takes that Spector used. Eve his wish for a joint production of Martin/Spector fell on deaf ears at EMI.
In the late 1970’s he founded a studio on the isle of Montserrat used by Paul McCartney , The Rolling Stones and Dire Straits.
He continued to work with Paul McCartney and Ringo Starr, and I was fortunate to meet him at the making of the video for “Take it Away” in June 1982. He was very quietly spoken and very humble,and came across as a gentleman. It was a privilege to be in his company.
He also founded his own studio in the UK. Air Studios still functions today in North London. 
In 1995 he was reunited with Paul, George and Ringo to work on the Anthology. 
In 1996 he received a knighthood from the queen and following the tragic death of Princess Diana produced Elton John’s “Candle in the Wind”. This became a number one hit and was Martin’s 30th as a producer, a record unmatched by anyone else.
His 6 CD set “Produced by George Martin 50 years in music” is a tribute to his great work.
The Beatles “Love” in Las Vegas, saw The Beatles catalogue being remixed and he worked with his son Giles on this project.
In later years he suffered with his hearing and did a lot of charity work for “Deafness Research”, and a few years ago some of us from the Fan Club attended an auction he held in London which included a music score of “Yesterday” signed by George and Paul McCartney, as well as a drum skin signed by Ringo Starr, at a time when Ringo had previously announced he was no longer signing autographs.
Indeed it was Ringo who broke the news via Twitter of George’s passing.
His legacy will live on and our thoughts are with his wife Judy daughter Lucy and son Giles at this time.
Thank you George. It was you who gave the world The Beatles and much more.
God Bless.
Love from all at the British Beatles Fan Club.



Tuesday, 23 February 2016

3rd Annual Beatles Day - May 1 - Tickets on Sale

The 3rd annual Beatles Day - one day of all things Beatles!

An all-day event happening at the historic The Turks Head Pub in Twickenham, the location of Ringo's solo scenes in Hard Days Night.

Featuring the UK's best Beatles tributes, special guests, and tables filled with merchandise, we're bringing you a guaranteed day of good fun, and good music!

Bands already announced for the day:
•    HAMBURG BEAT
•    THE BEATLES WITH AN A
•    THE BEATELLE; CATHERINE COOK
•    THE CAVERNITES
•    THE STARCLUBBERS...
... And more will be announced!

Keep an eye on the Facebook page to get live updates.

CLICK HERE TO GET YOUR TICKETS

Wednesday, 3 February 2016

Album cover redesign winner wins with Abbey Road


Abbey Road Album Cover Redesign by Rex Argent

Rex Argent says design is a, “lifelong passion” as he picks up first prize in Redesignyl competition

Seventy-eight year old retired Art Director Rex Argent has scooped first prize in a competition to redesign one of 16 iconic album covers from the past 50 years.

The Suffolk-born veteran, Rex Argent, who now lives in Rainham, Essex and is 78, selected The Beatles, Abbey Road as his album of choice from the shortlist, wowing the judges with his youthful and vibrant interpretation.

The competition was run by Alamy, and stipulated that entrants could chose only three images from their stock image library to complete the challenge. The competition garnered interest from more than 500 people all keen to submit their designs and take the top spot which Mr Argent subsequently won.

The man behind the winning cover was born in 1937 and says;

“Entering the competition was a natural choice with my years of experience and background in the field. Art and design has always fascinated me. It is a lifelong passion”.

Following four years of study at the London School of Print and Graphic Art Rex landed a job at a local print studio and began his career. This was interrupted when he was called for National Service with the Royal Air Force where he took the role as teleprinter operator.

On returning to civilian life his career took off and the intervening years saw him work for a series of major ad agencies including the prestigious Saatchi & Saatchi.

“I have been so very fortunate to work in such a constantly changing industry and travel the globe. I have worked with and learned from some of the best artists, writers, film directors and photographers in the world.”

Although the competition was advertised online, Rex heard about it via an email sent to subscribers of the Alamy service. He decided to come out of retirement, put the golf aside for a week, and take his chances.

“The brief for Redesignal brought back memories of agency life. It was natural for me to research the library and find an image; One that said how much The Beatles were, and still are, loved by the public. As a massive John Lennon fan, as well as the music of that era, the image I chose simply summed it all up for me. With a little help from Photoshop I felt my re-design was good to go”.

So how does the granddaddy of design feel about advancing technology and the speed at which it moves?

“I do try to keep up and I have seen so much change in my lifetime obviously - but it gets harder every day. Technology seems to leap forward faster and faster. I still learn every day – from all angles, even YouTube! I find it the fun part that is full of exciting surprises for the artist in me! And after all – they do say, Knowledge is Power and I hope to harness that power for a while yet!”

Second prize went to Ralph Tittley for Unknown Pleasures by Joy Division and third to Adrian Robinson for Doolittle by Pixies.